Olga Szynkarczuk is a Polish-born artist based in London and currently pursuing an MA Fine Arts: Digital at Central Saint Martins, UAL. Her practice explores the intersections of motherhood, female embodiment, migration, and the emotional labour embedded within everyday life. Working across installation, drawing, sculpture, and moving image, she often uses discarded or domestic materials—such as reclaimed fridge doors, paper remnants, and low-energy light sources—to transform overlooked objects into carriers of memory, resilience, and layered identity.

Szynkarczuk’s work frequently investigates the quiet tensions between visibility and disappearance, particularly in relation to women artists who become mothers. Through luminous sculptural forms, rhythmic light, and the physicality of repurposed materials, she examines how personal narratives can become political, and how the intimate body can speak back to cultural structures that render it silent.

Her installations foreground sustainability, repair, and the aesthetics of care, drawing together environmental concern with feminist inquiry. In Window Wonderland 2025, Szynkarczuk brings these themes into the public realm, using the window as a stage for reclaiming presence and voice—illuminating the strength, vulnerability, and creative force of mother-artists whose stories often remain unheard.