{"id":3070,"date":"2026-02-23T13:37:43","date_gmt":"2026-02-23T13:37:43","guid":{"rendered":"https:\/\/olgaszynkarczuk.com\/?p=3070"},"modified":"2026-02-27T22:09:01","modified_gmt":"2026-02-27T22:09:01","slug":"two-different-artists-similar-ideas-inspired-to-explore","status":"publish","type":"post","link":"https:\/\/olgaszynkarczuk.com\/pl\/two-different-artists-similar-ideas-inspired-to-explore\/","title":{"rendered":"TWO DIFFERENT ARTISTS – SIMILAR IDEAS – INSPIRED TO EXPLORE"},"content":{"rendered":"

Irridescent fridges test ideas<\/b><\/p>\n

Rannva Kunoy\u2019s Athiatl x4<\/i><\/p>\n

\"\" \"\" \"\" \"\"<\/p>\n

and David Hammons\u2019 Untitled 1975<\/i><\/p>\n

\"\"\"\"<\/p>\n

both use surface effects that read as subtle, luminous, and layered rather than simply metallic glitter.<\/p>\n

To achieve something similar across an entire canvas background: materials, technique and the pigments.<\/p>\n

READING:<\/strong><\/p>\n

https:\/\/goldenartistcolors.com\/search?query=interference<\/p>\n

READING<\/strong>:<\/p>\n

Mieczys\u0142aw Knut Subiektywny Podr\u0119cznik Malarstwa Akrylowego, 2025 (\u201cA Subjective Handbook of Acrylic Painting\u201d)<\/em><\/p>\n

Surface Preparation & Iridescent Background Technique<\/b><\/p>\n

(Fridge Door \u2013 White or Silver Base)<\/p>\n

Even if cleaned and sanded, paint adhesion may fail without proper priming.<\/p>\n

1. Essential Surface Preparation<\/b><\/p>\n

\u2022 Degreasing (Critical Step)<\/p>\n

2. Remove invisible residues:<\/b><\/p>\n

\u2022 Isopropyl alcohol<\/p>\n

\u2022 Acetone (use with ventilation)<\/p>\n

3. Surface Keying<\/b><\/p>\n

Create microscopic tooth:<\/p>\n

\u2022 Sandpaper: 400\u2013600 grit<\/p>\n

\u2022 Aim for matte finish (not deep scratches)<\/p>\n

Remove dust completely after sanding.<\/p>\n

4. Adhesion Primer (Non-Negotiable)<\/b><\/p>\n

Apply suitable primer:<\/p>\n

\u2022 Etching primer<\/p>\n

\u2022 Metal primer<\/p>\n

\u2022 Multi-surface primer<\/p>\n

5. Recommended products (search examples):<\/b><\/p>\n

\u2022 Zinsser Bulls Eye 1-2-3<\/p>\n

\u2022 Zinsser Cover Stain<\/p>\n

\u2022 Automotive Etch Primer<\/p>\n

Why this step matters:<\/b><\/p>\n

\u2022 Acrylic alone may peel from enamel\/metal<\/p>\n

\u2022 Primer ensures long-term stability<\/p>\n

6. Choosing Your Base Surface<\/b><\/p>\n

White Fridge Door<\/b><\/p>\n

7. Recommended Materials<\/b><\/p>\n

\u2022 Iridescent \/ Interference Colours<\/p>\n

Look for:<\/b><\/p>\n

\u2022 Golden Fluid Acrylic Interference Colours<\/p>\n

\u2022 Liquitex Professional Interference \/ Iridescent<\/p>\n

Suggested shades:<\/b><\/p>\n

\u2022 Interference Gold<\/p>\n

\u2022 Interference Blue<\/p>\n

\u2022 Interference Violet<\/p>\n

\u2022 Iridescent Pearl<\/p>\n

Medium \/ Binder<\/b><\/p>\n

For smooth dispersion:<\/b><\/p>\n

\u2022 Golden Soft Gel Gloss<\/p>\n

\u2022 Liquitex Soft Gel Gloss<\/p>\n

Optional additives:<\/b><\/p>\n

\u2022 Golden GAC 500<\/p>\n

\u2022 Liquitex Flow Aid<\/p>\n

8. Suggested Mixing Ratio<\/b><\/p>\n

Starting formula:<\/b><\/p>\n

\u2022 70% Soft Gel Gloss<\/p>\n

\u2022 25% Interference \/ Iridescent Colour<\/p>\n

\u2022 5% Flow Aid<\/p>\n

Notes:<\/b><\/p>\n

\u2022 Mix slowly<\/p>\n

\u2022 Avoid introducing bubbles<\/p>\n

9. Application Techniques<\/b><\/p>\n

Best Tools<\/b><\/p>\n

\u2022 Wide soft synthetic brush<\/p>\n

\u2022 Foam roller (recommended for uniformity)<\/p>\n

\u2022 Silicone \/ rubber spreader (for leveling effects)<\/p>\n

Layering Strategy<\/b><\/p>\n

\u2022 Apply very thin coats<\/p>\n

\u2022 Allow full drying between layers<\/p>\n

\u2022 Build multiple layers for depth<\/p>\n

Thin layers produce:<\/b><\/p>\n

\u2022 Optical complexity<\/p>\n

\u2022 Smooth reflective surface<\/p>\n

\u2022 Subtle chromatic shifts<\/p>\n

10. Optional Aesthetic Variations<\/b><\/p>\n

\u2022 Hammons-Like Atmospheric Surface<\/p>\n

\u2022 Transparent grey glazes<\/p>\n

\u2022 Interference layers between washes<\/p>\n

\u2022 Minimal texture buildup<\/p>\n

\u2e3b<\/p>\n

\u2022 Kunoy-Like Chromatic Softness<\/p>\n

\u2022 Interference over white base<\/p>\n

\u2022 Slight pigment density variation<\/p>\n

\u2022 Controlled unevenness<\/p>\n

\u2e3b<\/p>\n

\u2022 Enhanced Reflective Vibration<\/p>\n

(On silver base)<\/p>\n

\u2022 Ultra-thin interference glazes<\/p>\n

\u2022 Semi-transparent layers<\/p>\n

\u2022 Avoid thick gel application<\/p>\n

11. What to Avoid<\/b><\/p>\n

\u2022 Heavy texture gels<\/p>\n

\u2022 Thick impasto layers<\/p>\n

\u2022 Large mica flakes \/ glitter<\/p>\n

\u2022 Skipping primer<\/p>\n

\u2022 Sanding interference layers<\/p>\n

12. Drying & Curing<\/b><\/p>\n

\u2022 Dry fully between coats<\/p>\n

\u2022 Allow several days curing before sealing<\/p>\n

Metal\/enamel surfaces may feel slower to cure.<\/p>\n

13. Final Seal (Optional)<\/b><\/p>\n

For protection and visual unity:<\/b><\/p>\n

\u2022 Acrylic spray varnish<\/p>\n

\u2022 Gloss \u2192 enhances luminosity<\/p>\n

\u2022 Satin \u2192 soft sheen<\/p>\n

\u2022 Matte \u2192 subdued effect<\/p>","protected":false},"excerpt":{"rendered":"

Irridescent fridges test ideas Rannva Kunoy\u2019s Athiatl x4 and David Hammons\u2019 Untitled 1975 both use […]<\/p>\n","protected":false},"author":2,"featured_media":3071,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307,599,353,296,7,98,6,306,777,441],"tags":[788,790,789,196,194,791,658,792,787,657],"class_list":["post-3070","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acrylics","category-artists","category-experimenting","category-fridges","category-ideas","category-inspiration","category-my-practice","category-painting","category-play","category-technology","tag-david-hammons","tag-golden-acrylic","tag-interference","tag-irridescence","tag-layering","tag-liquitex-acrylic","tag-liquitex-medium","tag-preparation","tag-rannva-kunoy","tag-tests"],"_links":{"self":[{"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/posts\/3070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/comments?post=3070"}],"version-history":[{"count":6,"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/posts\/3070\/revisions"}],"predecessor-version":[{"id":3080,"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/posts\/3070\/revisions\/3080"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/media\/3071"}],"wp:attachment":[{"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/media?parent=3070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/categories?post=3070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/olgaszynkarczuk.com\/pl\/wp-json\/wp\/v2\/tags?post=3070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}