lane Elem
ICT Information and Conmunication Technology
Youtube: dissecting/mobile phone
-EIT Raw Materials is part of the EU body
(Re) fer
YouTube “Rare Earthen wave”
Unknown Fields Division
www.unknownfieldsdivsion.com
Vases made from toxic waste found in China and Mongolia. They show the different amounts of toxic waste various electronic devices generate
Rare elements need to be used when you want to make devices smaller
TECHNO FEUDALISM – will it replace capitalism?
https://materialsmatter.eu
https://www.anatomyof.ai
Fridges are E-waste, and are difficult to recycle – find out how difficult!!!
FRIDGE WALL – FRIDGE DOOR CUPBOARD inspired by A wall of Televisions by and artist from Ghana at the Design Museum
Planned Obsolescence
formafantasma.com – Artificially Defined Lifetime of technologies
“Everything New” – Economic Growth and “prosperity” generate obsolete hardware, e-waste and carbon emissions, and accelerate resource exploitation
I find it appalling that capitalism, politics and economic growth take priority over the extension of the planet’s life. What’s the solution? CYCLICAL TECH, as inspired by Through the Kalachakra(from Buddhism)
This workshop further strenghtened my vision and encouraged me to continue work on my fridge door paintings project and to dig deeper to find out how “recyclable” fridges actually are
@ninonatomicsuperstar
Dani Ploeger: Dani Ploeger’s artwork focuses on the human body in connection to technology, sexuality and consumer culture.[2]
His work frequently addresses issues connected to sexuality and technology. In ELECTRODE, an anal electrode connected to an EMG sensor is used to replicate the sphincter contraction pattern of a masturbating experimental subject.[3] His work Ascending Performance features a Super 8 film of the naked artist and can be downloaded from MiKandi, an adult app store for Android phones.[4] The sexually explicit and technology-critical aspects of Ploeger’s work have led to some controversies and both amused and fierce media responses. He has been described as a ‘post-Stelarc‘ artist and the ‘Jimi Hendrix of the Sphincter’.[5] Music critic Andy Hamilton has stated that there are “two assholes too many” in Ploeger’s performance ELECTRODE[6] and the German newspaper Der Freitag has suggested that he ‘abuses gender criticism to inflate something as art